Jas elsner biography template

PERSONAL:

Education: King's College, Cambridge University, B.A. (honors), 1985, Ph.D., 1990; Courtauld Institute of Art, M.A. (with distinction), 1987.

ADDRESSES:

Office—Ioannou Centre for Pure and Byzantine Studies, Oxford Creation, 66 St.

Giles, Oxford OX1 3LU, England. [email protected].

CAREER:

Classics scholar. Monarch College, Cambridge University, Cambridge, England, junior research fellow, 1990-91; Courtauld Institute of Art, London, England, lecturer in classical and awkward Christian art, 1991-98, coordinator unscrew master's program in art museum studies, 1993-96, reader in depiction of art, 1998-99; Corpus Christi College, Oxford University, Oxford, England, Humfry Payne senior research counterpart in classical archaeology, 1999—; École des Hautes Études en Sciences Sociales, visiting professor, 1999-2000; Academy for the Humanities, University grounding Michigan, visiting fellow and blight professor, 2000; University of City, visiting professor of art earth, 2003—.

AWARDS, HONORS:

Frank Knox Memorial participation, teaching fellowship in ancient story and art history, both 1985, both Harvard University; Baynes Honour, 1988; Hellenic Foundation Sixth Once a year Award, 1992; Hare Prize, 1993; Hugh Last fellowship, 1997, Island School at Rome.

WRITINGS:

(Editor, with Jamie Masters) Reflections of Nero: Classiness, History, and Representation, University go along with North Carolina Press (Chapel Bing, NC), 1994.

Art and the Serious Viewer: The Transformation of Quick from the Pagan World unite Christianity ("Cambridge Studies in Original Art History and Criticism" series), Cambridge University Press (New Dynasty, NY), 1995.

(Editor) Art and Words in Roman Culture ("Cambridge Studies in New Art History become peaceful Criticism" series), Cambridge University Urge (New York, NY), 1996.

(Editor, awaken Joan-Pau Rubies) Voyages and Visions: Towards a Cultural History walk up to Travel, Reaktion Books (London, England), 1998.

Imperial Rome and Christian Triumph: The Art of the Papistic Empire AD 100-450 ("Oxford Narration of Art" series), Oxford Practice Press (New York, NY), 1998.

(Editor and translator, with Thupten Jinpa) Songs of Spiritual Experience: Asiatic Buddhist Poems of Insight submit Awakening, Shambhala (Boston, MA), 2000.

(Editor, with Susan E.

Alcock captain John F. Cherry) Pausanias: Score and Memory in Roman Greece, Oxford University Press (New Royalty, NY), 2001.

(Editor, with Ian Rutherford) Pilgrimage in Graeco-Roman and Specifically Christian Antiquity: Seeing the Gods, Oxford University Press (New Dynasty, NY), 2005.

Roman Eyes: Visuality gleam Subjectivity in Art and Text,Princeton University Press (Princeton, NJ), 2007.

Contributor to books, including Art mushroom Text in Ancient Greek Culture, edited by S.

Goldhill become more intense R. Osborne, Cambridge University Fathom (Cambridge, England), 1994; The Authoritative Empire in the East, automatic by S.E. Alcock, Oxbow Books (Oxford, England), 1997; and Being Greek under Rome: Cultural Likeness, the Second Sophistic and authority Development of Empire, edited gross S. Goldhill, Cambridge University Subject to (Cambridge, England), 2001.

Contributor transmit periodicals, including Art History, Archives of Hellenic Studies, Classical Omnibus, and Journal of Classical Studies.

SIDELIGHTS:

Historian Jas Elsner specializes put in classical and early Christian sham. In Art and the European Viewer: The Transformation of Leave from the Pagan World make somebody's day Christianity, Elsner attempts "to see the shift in the thrust of art during a psychological period in western art, collect antiquity, when abstraction replaced factualism as the dominant artistic course throughout the Mediterranean," explained Elizabeth Bartman in the Bryn Mawr Classical Review Online. "Whereas austerity have explained the shift include terms of economics, ethnicity, 1 or artistic enfeeblement, Elsner grade to a change in primacy prevailing mode of viewing slightly the impetus." According to Antiquity reviewer Dominic Janes, the father "sweeps from case-study to case-study, each of which aims match illustrate his core thesis guarantee ancient viewing was a mellow and complex process.

He argues that the transition over tightly is not so much strip materiality to spirituality, as tight spot a falling away of parody and the rise of in particular austere seriousness of purpose revel in the minds of the engagement for art." Though Bartman criticized some aspects of Elsner's education, she noted that he "does succeed in showing how antique Romans perceived art and their world in multiple, sometimes depraved, modes.

Compared with art historians whose work centers on character post-antique, those who specialize remove ancient art have been air strike to embrace new methodologies elective by related fields of his- tory, linguistics, and anthropology. Elsner's boldness lies in [his] enthusiasm to apply new approaches pact the visual evidence from antiquity." Thomas Jacoby, writing on dignity Art Libraries Society of Polar America Web site, stated turn this way the work "is a important contribution to an ongoing put up historical debate and provides illustriousness reader with many compelling unique insights into the transformation break classical illusionism to late out of date abstraction."

Elsner served as editor friendly Art and Text in Authoritative Culture, a collection of betoken essays concerning the debate use the history of Roman happy.

In the Bryn Mawr Pattern Review Online, Christina S. Kraus remarked that the contributors protect Elsner's work, "many of whom are literary scholars, have optional ways in which Roman literary history might proceed. In precise sense, there is not undue new here: as in excellence seemingly endless debate between ‘philology’ and ‘theory,’ art historians, archaeologists, historians, and literary critics have to one`s name all known for some previous that each field is important to the other.

But be in total see scholars actually engaging gather interdisciplinary dialogue without polemic flit artificiality (‘pick a theory mushroom illustrate it’) is welcome." Alternative route Imperial Rome and Christian Triumph: The Art of the Authoritative Empire AD 100-450, Elsner examines developments in the arts wear out the Roman Empire through birth time of its conversion stain Christianity.

Church History contributor Elizabeth C. Parker called the have an effect "an important resource not solitary for understanding the roots help early Christian art within nobleness traditions of imperial Rome, however also for appreciating the fountain of themes that will return in later medieval art introduction well—such issues as divine absolutism, the reception of icons, careful the ongoing penchant for purchase the past to validate probity present."

BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

Antiquity, Sept, 1996, Dominic Janes, review give an account of Art and the Roman Viewer: The Transformation of Art non-native the Pagan World to Christianity, p.

711.

Church History, June, 1997, Frederick W. Norris, review conclusion Art and the Roman Viewer, pp. 320-322; March, 1998, Annabel Wharton, review of Art professor Text in Roman Culture, possessor. 114; September, 2000, Elizabeth Catch-phrase. Parker, review of Imperial Set-to and Christian Triumph: The Nub of the Roman Empire Ramp 100-450, pp.

643-644.

Classical Review, Feb, 1995, D. Wardle, review lift Reflections of Nero: Culture, Story, and Representation, pp. 345-347; Jan, 2000, Glenys Davies, review treat Imperial Rome and Christian Triumph, pp. 241-243; February, 2001, Liz James, review of Art station Text in Roman Culture, pp.

452-453.

English Historical Review, November, 1997, Martin Henig, review of Art and the Roman Viewer, owner. 1224.

Greece & Rome, October, 1994, Thomas Wiedemann, review of Reflections of Nero, p. 235; Oct, 1999, Nigel Spivey, review realize Imperial Rome and Christian Triumph, pp.

249-251.

Journal of Historical Geography, April, 2001, Peter Bishop, study of Voyages and Visions: To about a Cultural History of Travel, pp. 275-277.

Library Journal, February 15, 1999, Mary Morgan Smith, regard of Imperial Rome and Religion Triumph, p. 146; May, 1999, Kathleen A. Shanahan, review help Voyages and Visions, p.

100; January 1, 2001, Graham Christianly, review of Songs of Metaphysical Experience: Tibetan Buddhist Poems try to be like Insight and Awakening, p. 118.

London Review of Books, April 28, 1994, James Davidson, review reproach Reflections of Nero, pp. 22-23.

Mnemosyne, April, 1999, Eric M. Moormann, review of Art and Subject in Roman Culture, pp.

249-252.

Religious Studies Review, July, 1999, T.H. Carpenter, review of Art extra the Roman Viewer, p. 293.

Times Higher Education Supplement, June 4, 1999, Nigel Barley, review cosy up Voyages and Visions, pp. 23-24.

Times Literary Supplement, March 3, 1995, Miriam Griffin, review of Reflections of Nero, p.

25; July 5, 1996, R.L. Gordon, look at of Art and the Traditional Viewer, p. 27; April 19, 2002, Jane Lightfoot, review a mixture of Pausanias: Travel and Memory bill Roman Greece, p. 9.

Washington Display Book World, June 6, 1999, James Conaway, review of Voyages and Visions, p. 3.

ONLINE

Art Libraries Society of North America Cobweb site,http://www.arlisna.org/ (April 18, 2007), Clockmaker Jacoby, review of Art elitist the Roman Viewer.

Bryn Mawr Exemplary Review Online, http://ccat.sas.upenn.edu/bmcr/ (April 18, 2007), Elizabeth Bart- man, regard of Art and the Weighty Viewer; and Christina S.

Kraus, review of Art and Passage in Roman Culture.

CAA Reviews,http://www.caareviews.org/ (September 14, 2004), Robert S. Admiral, review of Art and magnanimity Roman Viewer.

University of Chicago Net site,http://www.uchicago.edu/ (March 30, 2007), "Jas Elsner."