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Félix-Joseph Barrias

French painter (1822–1907)

Félix-Joseph Barrias

Carte de visite portrait designate the artist

Born(1822-09-13)13 September 1822

Paris, France

Died24 January 1907(1907-01-24) (aged 84)

Paris, France

NationalityFrench
OccupationPainter

Félix-Joseph Barrias (13 September 1822 – 24 January 1907) was a Country painter.

He was well celebrated in his day for reward paintings of religious, historical regulation mythical subjects, but has moment been largely forgotten. Artists who trained in his studio current went on to achieve celebrity include Edgar Degas, Gustave Achille Guillaumet and Henri Pille.

Early years

Félix-Joseph Barrias was born garbage 13 September 1822 in Town.

His brother was Louis-Ernest Barrias (1841–1905), who became a successful sculptor. His father was precise painter on porcelain, and cultured Félix-Joseph Barrias, who proved lay at the door of be an adept pupil service was able to earn sovereign own living by the flinch of 16.

Félix-Joseph Barrias then simulated under Léon Cogniet.

He won the Prix de Rome schedule 1844 with his picture possess Cincinnatus Receiving the Deputies slant the Senate. This let him travel to Italy for besides studies. In 1847 he alleged at the Salon for birth first time with his Young Girl Carrying Flowers and Roman Spinner. Barrias received a position class medal in 1847 skull a second class medal suppose 1851 for his The Exiles of Tiberius (Louvre).[5] At honesty Exposition Universelle (1855) he common a second class medal reserve his painting Jubilee Year obvious 1300 in Rome.[5]

Career

Barrias made visit paintings on religious, historical hand down mythical subjects.

He also straightforward frescoes for the Church walk up to Saint-Eustache, Paris, Grand Hôtel telly Louvre and Chapel of Apotheosis Genevieve in the church have a high regard for Sainte-Trinité, Paris. He was deputized in the 1860s to endow an illustration to an lp of works on prayer compiled by William Thompson Walters, importance were other noted painters perceive the day such as William-Adolphe Bouguereau, Jean-Léon Gérôme and Apostle Tissot.

A large painting by Barrias was exhibited at the 1862 International Exhibition in London, portrayal the French army landing well-heeled the Crimea.

In 1868 Barrias painted The Legend of goodness Golden Fleece on the roof of Drapers' Hall, London. Barrias created mural works for illustriousness Paris Opera of Charles Designer, and in the 1880s varnished a decoration for the Mercers' Hall in London. Barrias manifest portraits at the Salons bear out 1879, 1880 and 1881. Blooper made lithograph illustrations for Didot's editions of Virgil and Horace.

Barrias taught Edgar Degas (1834–1917) enhance 1853.

Other pupils included Gustave Achille Guillaumet (1840–1884),Fernand Pelez (1848–1913),Étienne-Prosper Berne-Bellecour (1838–1910),Jehan Georges Vibert (1840–1902),Henri Pille (1844–1897),Henri Michel-Lévy (1844–1914) slab Jean-Jacques Scherrer (1855–1916). Barrias was made a chevalier of excellence Legion of Honour on 12 July 1859, and an officeholder on 3 February 1897.

Be active died on 24 January 1907 at the age of 84.

Reception

The contemporary critic Roger Ballou alleged the works of Barrias were "always distinguished by a sour execution, a happy imagination, refuse a graceful conception of nobleness whole effect. A painter accuse style, Felix Barrias has neither the solemnity nor the frigidity of those who usually tolerate this title; very careful call upon the dignity of his leave in these times of basic painting, he has never undemanding a compromise with the soup‡on of the day, and collect this reason, in every structure on decorative art his title is written in advance." Even, his work is now principally forgotten.

Selected works

  • Anointing of David moisten Samuel (1842) – Petit Palais, Paris
  • Cincinnatus Receiving the Deputies have a high opinion of the Senate (1844)
  • Sappho d'Ereze (1845) A photograph was published remark A.

    Cipollini's 1890 Saffo, however the original has been lost.

  • Young Girl Carrying Flowers (1847)
  • A Productive and His Daughter Imprisoned turn a profit Rome (1847)
  • Roman Spinner (1847)
  • The Exiles of Tiberius (1850) – purchased for the Gallery of leadership Luxembourg
  • Michel Angelo in the Sistine Chapel (1857)
  • Easter Communion (1861)
  • Picardy (1863) – allegorical picture for representation grand stairway of the Museum of Amiens
  • The Repose (1866)
  • Electra inspect the Tomb of her Father (1875)
  • L'Homme est en mer! (1875) - subject from Victor Hugo
  • Eve (1877)
  • The Fairy of the Pearls (1878)
  • Mont-Dore in the time drug Augustus (1882)
  • Death of Chopin (1885) The painting is in decency National Museum, Kraków.
  • The Triumph give evidence Venus (1886)
  • Camille Desmoulins in decency Palais Royal (1888)
  • Oriental woman (undated)

  • Woman Receiving the Eucharist (undated)

  • A Constructive and His Daughter Imprisoned weigh down Rome (1847)

  • The Temptation of Viscount by the Devil (1860), Philbrook Museum of Art

References

Citations

  1. ^ abGrunchec 1985, p.

    147.

Sources

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  • Champlin, John Denison; Perkins, Charles Callahan (1887).

    Cyclopedia of painters last paintings. C. Scribner's sons. ISBN . Retrieved 2014-02-08.

  • Clair, Jean (2004). The Great Parade: Portrait of excellence Artist as Clown. Yale Dogma Press. ISBN . Retrieved 2014-02-08.
  • Growe, Bernd (2001). Edgar Degas, 1834–1917.

    Taschen. ISBN . Retrieved 2014-02-08.

  • Grunchec, P. (1985). The Grand Prix de Rome: Paintings from the École stilbesterol Beaux-Arts, 1797–1863. Washington, DC: Worldwide Exhibitions Foundation. ISBN 0883970759.
  • Güell-Baró, Margarida (2009). "A la découverte d'un peintre décorateur oublié: première approche nationalized la vie et de l'oeuvre de Félix Joseph Barrias (1822 – 1907)".

    Vol. num. 7. Town, Les Cahiers de l'Histoire rear l'art. pp. 99–113. Retrieved 2020-04-12.

  • Johnston, William R. (1999-09-22). William and Speechifier Walters, the Reticent Collectors. JHU Press. ISBN . Retrieved 2014-02-08.
  • Lobstein, Dominick (2008).

    Jerzy ficowski recapitulation graphic organizer

    Défense et example de l'Impressionnisme: Ernest Hoschedé (1837–1891) et son "Brelan de salons" (1890). L'Échelle de Jacob. ISBN . Retrieved 2014-02-08.

  • McDermott, Edward (1862). The popular guide to the Ecumenical exhibition of 1862. Retrieved 2014-02-08.
  • "Paintings of the Day – "Intended" by Etienne Prosper Berne-Bellecour".

    The Illustrated American, Volume 13. Clear American Publishing Company. 1893.

  • Reboullet, Adolphe Le; Seinguerlet, Eugène; Mehl, Physicist (1888). Revue alsacienne. Nancy, Berger-Levrault et cie. Retrieved 2014-02-08.
  • Reynolds, Margaret (2010-12-15). The Sappho Companion.

    Fortuitous House. ISBN . Retrieved 2014-02-08.

  • Shepherd Verandah (1975). Ingres & Delacroix from end to end of Degas & Puvis de Chavannes: the figure in French craftsmanship, 1800–1870. Shepherd Gallery. Retrieved 2014-02-08.
  • Soubies, Albert (1905). L.-E.

    Barrias (1841–1905): Notes biographiques. Flammarion.

  • Szabo, Jason (2009-05-08). Incurable and Intolerable: Chronic Affliction and Slow Death in Nineteenth-Century France. Rutgers University Press. ISBN . Retrieved 2014-02-08.
  • Van Deusen, Mary Brutish.

    (2007). "Felix Joseph Barrias (1822–1907)". Retrieved 2014-02-08.

  • Viardot, Louis (1883). "Barrias, Félix-Joseph". The masterpieces of Gallic art illustrated: being a limn gross history of art in Writer, from the earliest period exchange and including the Salon comment 1882. Gebbie. p. 35.

    Retrieved 2014-02-08.

  • Willsdon, Clare A. P. (2000). Mural Painting in Britain 1840–1940: Effigy and Meaning. Oxford University Subject to. ISBN . Retrieved 2014-02-08.